(Translated from German to English)
" No notion, who or which Savitre should be, but if the reason for this album is the search for it, I hope that those has to do volume thereby still another one while, because "Searching For Savitre" became an album of immense high grade. Nearly seventy minutes of more melodic, more melancholy, more artful, extremely dynamic and multi-layered rock/metal, who's exact categorization can fall only with difficulty. 'Savitre's an uncompromising sound which isn't so much a style but music with style' calls isn't in such a way on those volume that completely immodestly and eloquent. Already in the opening double, 'Opening Explanation Justifies Cancellation / The Demon' meet hectic impact things rhythms with consistently odd stresses, extremely melodic riffing with many details, which are only registered with further intensive hearing runs, over float (due to clear production extremely well hearable) a bass as also Geddy Lee than (Rush) would play it and marvelous singing, which floats completely in others spheres. Paul Krussell, who's sometimes like the blonde-lured gentleman at the micro of the Canadians of Nickelback sounds, provides with melancholy, most introverted singing lines continuously for a sad basic tendency, which even the hardest riff of Sav Balkissoon ('Same To Me') to contain in not able. That will be connected probably with the fact that Krussell actually tells in each song of the end of a dear relationship, which does not want to find an end. But that is not one man show here, each musician is equally treated. Great riffing stands 'Endeavour To Deserve' without gradation besides bulky melodies and Bob Davidson's pumping bass lines, In 'Self Expression', even problem-free a slap bass is integrated. The highly detailed impact things play of Matt Thomas provides always for a further thrust complexity, actually plays each musicians at the piece something else than it's fellow combatants. This kind of producing multi-layeredness finds a high point beautiful for crying in the nine minute 'Thermoluminescence'. Particularly the center section with it's ingenious harmonies is not driven off of this world. Places Balladesken on produces those from volume a floating atmosphere, times threatenly ('Haunting Me'), times playful-calmly ('Pantheon Of Horror') completely all kitschvorstellungen extracts itself...
'Searching For Savitre' offers evenly more music for listening than to before-I-hums, despite all heaviness, appropriate heaviness...
'And at least one piece, which one cannot only enjoy, if it runs straight, speaks; more long-term effect, would be also wishable. At the surface of this individual sound still tears must be smooth, but among them it bubbles already now, already many more enormously than one from Underground volume, which did not outcome over Chicago yet, expecting can. I am surprised, inspired, and affected. Who intends to look now for Savitre (hopefully many), turns on www.savitre.com".
CrossOver, October 2004